The Art of Filmmaking: Composition and Moving Image

Instructor: Eve-Lauryn LaFountain

What you'll learn

  •   how to describe shot and sequence design in both formal and conceptual terms
  •   visual strategies for composition and movement in filmmaking
  •   the use of both natural and studio lighting in filmmaking
  •   how moving images can be altered using visual effects in the post-production process
  • Skills you'll gain

  •   Creativity
  •   Journals
  •   Storytelling
  •   Video Production
  •   Photo/Video Production and Technology
  •   Editing
  •   Design Elements And Principles
  •   Peer Review
  •   Videography
  • There are 5 modules in this course

    This course is designed to be hands-on. In each module there will be a combination of short video lectures, readings, samples of work by filmmakers and artists, and supplemental suggested materials in case you want to further explore the topics. There will be both practice and graded assessments such as written reflections, quizzes, discussion prompts, and peer reviews. There is a course long project that will build from one module to the next to create a longer final video project. The final project will be assessed by peer review. You must complete all required assessments and the final project in order to successfully pass the course. It is important to see examples of how filmmakers use these concepts in their actual work. Most of the work samples will be small, independent productions, many will be made by students. This will introduce you to different approaches to filmmaking without a huge budget to give you a sense of the kind of work you can create on your own. The concepts covered are also used in major mainstream productions, but you can see examples of that kind of work out in the world. This course will introduce you to new ways of working that you might not have the opportunity to experience otherwise. Much of it will be experimental or avant-garde. Keep an open mind while watching these works, you will learn to be challenged by radically new techniques and approaches to filmmaking just by watching something you might not have experienced before. You are encouraged to keep a film journal during this course and write reflections on your responses to the works you’re seeing both in this course and outside. You will be asked to write reflections as assessments throughout the course. Keeping a journal is helpful so you can track the development of your own way of seeing and thinking about cinema.

    Cinematic Thinking

    Choreography for Camera

    Light Writing

    Composing

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